{"id":3185,"date":"2015-09-03T10:33:01","date_gmt":"2015-09-03T10:33:01","guid":{"rendered":"https:\/\/moirakirkwood.com\/?p=3185"},"modified":"2020-08-28T13:24:28","modified_gmt":"2020-08-28T02:24:28","slug":"bright-stars-in-the-archibald-firmament","status":"publish","type":"post","link":"https:\/\/moirakirkwood.com\/?p=3185","title":{"rendered":"Bright stars in the Archibald firmament"},"content":{"rendered":"<p>I went up to AGNSW recently to check out the annual <a title=\"Archibald, Wynne &amp; Sulman Prizes\" href=\"http:\/\/www.artgallery.nsw.gov.au\/exhibitions\/archibald-wynne-sulman-prizes-2015\/\">Archibald, Wynne and Sulman prizes.<\/a>\u00a0As always, there was much to enjoy, as well as some that maybe didn&#8217;t truly deserve to be there.<\/p>\n<p><a href=\"https:\/\/moirakirkwood.com\/?attachment_id=3186\" rel=\"attachment wp-att-3186\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3186\" alt=\"PORTRAIT OF TIM BONYHADY\" src=\"https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/SAYERS-ANDREW_TIM-BONYHADY-222x300.jpg\" width=\"222\" height=\"300\" srcset=\"https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/SAYERS-ANDREW_TIM-BONYHADY-222x300.jpg 222w, https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/SAYERS-ANDREW_TIM-BONYHADY-111x150.jpg 111w, https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/SAYERS-ANDREW_TIM-BONYHADY.jpg 448w\" sizes=\"auto, (max-width: 222px) 100vw, 222px\" \/><\/a><\/p>\n<p>Andrew Sayers, <em><strong>Portrait of Tim Bonyhady,\u00a0<\/strong><\/em>oil on canvas, 100 x 75cm<\/p>\n<p>Andrew Sayers&#8217; piece was an understated charmer. I enjoyed the tight little triangle of composition and the no-fuss content. The downward pointing finger was marvellous.<\/p>\n<p>I wasn&#8217;t wild about Nigel Milsom&#8217;s winning portrait of Charles Waterstreet, <em><strong>Judo House pt 6 (the white bird.)<\/strong><\/em> I enjoyed the pattern of his sewn-up mouth; his collar and the repetition of the motif in his monster hands; his diagonal line of buttons. The surface though, especially as the eye travels down the canvas, seemed too flat; too thin. I didn&#8217;t find it satisfying to spend time with.<\/p>\n<p><a href=\"https:\/\/moirakirkwood.com\/?attachment_id=3192\" rel=\"attachment wp-att-3192\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3192\" alt=\"MILSOM, NIGEL_JUDO HOUSE #6\" src=\"https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/MILSOM-NIGEL_JUDO-HOUSE-6-243x300.jpg\" width=\"243\" height=\"300\" srcset=\"https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/MILSOM-NIGEL_JUDO-HOUSE-6-243x300.jpg 243w, https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/MILSOM-NIGEL_JUDO-HOUSE-6-121x150.jpg 121w, https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/MILSOM-NIGEL_JUDO-HOUSE-6.jpg 308w\" sizes=\"auto, (max-width: 243px) 100vw, 243px\" \/><\/a><\/p>\n<p>Nigel Milsom, <em><strong>Judo House pt 6 (the white bird),<\/strong><\/em> oil on canvas, 232 x 190cm<\/p>\n<p>&nbsp;<\/p>\n<p>Jeremy Kibel&#8217;s mixed-media portrait of Dr Dick Kwan was surprisingly interesting to examine. Multiple collage elements, a bright red horizontal at the top and blue around the other 3 edges along with the economical, stencil-style description of the head. A variety of surfaces made this an enjoyable work.<\/p>\n<p><a href=\"https:\/\/moirakirkwood.com\/?attachment_id=3194\" rel=\"attachment wp-att-3194\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3194\" alt=\"KIBEL, JEREMY_PORTRAIT OF DOCTOR DICK KWAN\" src=\"https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/KIBEL-JEREMY_PORTRAIT-OF-DOCTOR-DICK-KWAN-224x300.jpg\" width=\"224\" height=\"300\" srcset=\"https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/KIBEL-JEREMY_PORTRAIT-OF-DOCTOR-DICK-KWAN-224x300.jpg 224w, https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/KIBEL-JEREMY_PORTRAIT-OF-DOCTOR-DICK-KWAN-112x150.jpg 112w, https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/KIBEL-JEREMY_PORTRAIT-OF-DOCTOR-DICK-KWAN.jpg 453w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a title=\"Kerry McInnis\" href=\"http:\/\/kerrymcinnis.com\/\">Kerry McInnis&#8217;s<\/a> portrait of Omar Musa was characterised by qualities I&#8217;ve come to expect &#8211; understated, beautifully observed and not at all laboured. It got my vote in the end. She&#8217;s a consistent performer, though her work perhaps lacks the sense of spectacle that many Archibald winners possess. I&#8217;d like to see her make it one year though.<\/p>\n<p><a href=\"https:\/\/moirakirkwood.com\/?attachment_id=3196\" rel=\"attachment wp-att-3196\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3196\" alt=\"MCINNES, KERRY_OMAR MUSA POET OF UNEASE\" src=\"https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/MCINNES-KERRY_OMAR-MUSA-POET-OF-UNEASE-213x300.jpg\" width=\"213\" height=\"300\" srcset=\"https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/MCINNES-KERRY_OMAR-MUSA-POET-OF-UNEASE-213x300.jpg 213w, https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/MCINNES-KERRY_OMAR-MUSA-POET-OF-UNEASE-106x150.jpg 106w, https:\/\/moirakirkwood.com\/wp-content\/uploads\/2015\/09\/MCINNES-KERRY_OMAR-MUSA-POET-OF-UNEASE.jpg 431w\" sizes=\"auto, (max-width: 213px) 100vw, 213px\" \/><\/a><\/p>\n<p>Kerry McInnis, <em><strong>Omar Musa, poetry of unease<\/strong><\/em>, 230 x 165.9cm<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I went up to AGNSW recently to check out the annual Archibald, Wynne and Sulman prizes.\u00a0As always, there was much to enjoy, as well as some that maybe didn&#8217;t truly deserve to be there. Andrew Sayers, Portrait of Tim Bonyhady,\u00a0oil on canvas, 100 x 75cm Andrew Sayers&#8217; piece was an understated charmer. I enjoyed the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[6],"tags":[56,44,22],"class_list":["post-3185","post","type-post","status-publish","format-standard","hentry","category-exhibitions-ive-seen-recently","tag-art-gallery-of-nsw","tag-australian-art","tag-contemporary-art"],"_links":{"self":[{"href":"https:\/\/moirakirkwood.com\/index.php?rest_route=\/wp\/v2\/posts\/3185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moirakirkwood.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moirakirkwood.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moirakirkwood.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moirakirkwood.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3185"}],"version-history":[{"count":13,"href":"https:\/\/moirakirkwood.com\/index.php?rest_route=\/wp\/v2\/posts\/3185\/revisions"}],"predecessor-version":[{"id":4965,"href":"https:\/\/moirakirkwood.com\/index.php?rest_route=\/wp\/v2\/posts\/3185\/revisions\/4965"}],"wp:attachment":[{"href":"https:\/\/moirakirkwood.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moirakirkwood.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moirakirkwood.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}